Despite of the album’s mythological status of it being too weird and inaccessible for the normal ear, I would gleefully say the opposite. Als die finnischen Death-Metaller DEMILICH vor gut 20 Jahren ihr erstes und einziges Album „Nespithe“ rausbrachten, hatten sie damit ein in jeder Hinsicht bemerkenswertes und einzigartiges Werk veröffentlicht. I suppose otherworldly best describes these riffs, but even then I feel that isn't quite the right way to phrase it. This album is the missing link between European and US death metal. The set comes with a 40 page booklet with lyrics, song commentary, new Demilich-themed art by David Mikkelsen and Johnny Maddox plus a lengthy Q&A session between Olivier 'Zoltar' Badin and Antti Boman. Everything comes together beautifully to create this atmospheric and otherworldly soundscape that many bands have since taken inspiration of. It is true that the main attraction of this album, or rather, the curiosity directed towards it, is because of this enigmatically eccentric, vocalized type of death metal, yet Demilich also propose much more. They are insidious, but also at the same time their insanity carries a lot of skill. Sadly, this was their only full-length. Dual guitars with some of the catchiest leads of the time are on display here, while the drum work of Mikko Virnes is on par with that of Mike Smith and Pete Sandoval. This isn’t like Molested’s Blod Draum, early Suffocation, or the many bands in the future that rely on dissonance and unfriendly but technical songwriting that is blanketed with wall of sound whose sole purpose is to simply pummel the listener with dissonance (Portal, Chthe’ilist, etc). The right amount of praise, with the right amount of thought put behind it, by the right people, usually not enough for me to budge, but! I feel like every aspiring metal musician should listen to this album. At this point there's no return and no tomorrow, just the insurmountable wall of blast beats and atonal riffing that Demilich brings you, complimented with a voice that would make any Alien run off to his mommy! Sure, lack of distortion is not bad, but when you lack distortion you record multiple takes of the same guitar track to beef up the sound, which they obviously never did, or they multi-tracked really weak distortion. Songs are mostly linearly constructed, always moving forward and never looking back. The vocalist utilizes an amazingly low and guttural belch that sounds really sick and ugly. Demilich have opted to completely ditch the idea of creating riffs which would induce a physical seizure (unlike Morbid Angel or Sepultura) yet favored a much more pragmatic, and dare I say, musically profound approach which does not rest on any single instrument. The vocals overpower everything when they enter, and that is a shame since the vocals are a wobbly mess. As much as I love my evil, brutal, and relentlessly heavy death metal, I have a lot of respect for bands that put atmosphere over brutality and create albums that far surpass almost every other album in terms of general quality. Seriously, though, the vocals here are literally the most unique vocals in all of metal. They're awesome to read. --- Originally written for http://droneriot.blogspot.com. Ordinarily it’s dealt with from the perspective of a criminologist, callous and apathetic, like an autopsy. The members of Demilich claim that there were no effects used on the vocals while recording Nespithe, and since no evidence is known to the contrary, I think we have to take them on their word for now. The coiling guitars, manic drums, and burped vocals all twist around each other to maximize the strange and disgusting nature they each possess while keeping the rhythms complex, yet coherent. It's not exactly aesthetically pleasing or exciting in any traditional senses, and it won't strike anyone as "heavy fucking metal," but it is so weird that not acquiring it through whatever means (it's free for download) will leave you incomplete. All instruments harmonize in an obscure way, just like the cosmos itself. A large part of what has made Demilich such an enduring gem is their lack of successor; no artist since has made death metal that sounds quite like them. Anyone who says there's no excuse for not having this album if you're a fan of death metal is partly wrong. Can't believe this review hasn't gotten featured yet. The guitar is heavily downtuned, producing a tone that sounds like a predecessor to sludge metal. Could be. Demilich are not only explorers and discoverers, but they are also able musicians as well. What it would ultimately take for me to garner an interest in death metal was to see the genre from an entirely different perspective. Last but not least, the vocals. Lovecraft. Musically, this is one of the more adventurous death metal albums, and for its atmosphere alone, you should check it out. On paper, the guitarwork on Nespithe might be sound like a description of jazz music before anything else, although you wouldn’t think it for a second while listening to music itself. I have heard Demilich described as technical metal, but I’ve never really thought of them as such. 0; Weight: 170.00 g. Band: Demilich. Though classified as death metal, this strikes me as something created outside of planet Earth. This is complex in a way that the actual techniques are simple, and the riffs aren't all that fast, but the way the riffs are constructed makes it so damn hard to play, and incredibly strange to hear, all the while not sounding too much like technical wankery and keeping an interesting variance to them. This album is very obscure and otherworldly, just like the cosmos. Although an acquired taste, the belching gutturals are eerie like nothing else. In fact, even the double-bass is used somewhat sparingly. Let me just say that he doesn't sound human at all! It is typical in death metal for the vocalist to rely on aggression and volume to get his point across; Boman goes for something different entirely. This album very well may be as far away as one can get from the conventions of death metal and still be called death metal. Nespithe. 20,99 € – 22,99 € More conspicuously – most conspicuously, in fact, of all the band’s idiosyncrasies – are those vocals, which sound like… a pitch-shifted demon frog from the bowels of Hell? Because Demilich's Nespithe is all but simple. Nespithe is the kind of album that is unique, but also very good, and very mind-bending with how it presents itself in a way that few would dare to imitate. The drums complement these interesting riffs with spontaneous tempo changes and weird comps. Has anyone ever talked out of his or her small intestine? I've been piddling around with a blank copy of this review for a long while, unable to really write down anything because reviewing something so fucking good is so damn hard. And this is probably the most famous Death Metal record to have come from that country, alongside Demigod's Slumber Of Sullen Eyes. Indeed, they take their time exploring and discovering the cosmic planes and the mind within. It's a genre-warping, mind-bending experience. Onto the positives. The vocals are not intended to be the focus of the listener; instead, it adds a thundering resonance beneath the miasmatic riffs, quiet enough so that they never get in the way of the album’s strongest suit. Kommentare Sag Deine Meinung! It works, and it kicks ass. The vocals, for example, are similar to Bill Steers backing vocals in Carcass' older albums but just that bit lower, and less human. thanks, Album Rating: 5.0if god isnt real then how do you explain this album. The recording of the album adds alot to its appeal. ehh 3/5? The Echo (Replacement) Villein – Splendor Solis [UK, Dungeon Synth] (2020) 2 days ago Valley of Steel. It's a sci-fi movie almost, with the twisting, burrowing guitars jumping from riff to riff, melody to atonal melody, all kept in some sort of awkward alignment by the drum work. Demilich have accumulated a myriad of fans and critics (thusly exposure) on the basis of how, in almost every effect, they are truly unique. This is the kind of album that takes a while to get used to and it wouldn't surprise me if this was initially off-putting to some people, but the music on hand really holds together well despite the insanity and mixes in a way that comes off as natural. The drum production could have done with a little greater dynamic range, but there’s nothing significant to complain about the way Nespithe has been crafted. Demilich is a technical death metal band. Model: 04346. Take any riff, any melody, any bass line, any drum part, any frog belch, by itself it's actually quite awful. I don’t even know if anyone else can even get anywhere close to replicating this. Just imagine yourself in the following situation: you're casually scrolling through YouTube when you see a recommendation for some album called "Nespithe", you look it up beforehand and learn it's by some tech-death dudes from Finland. What if we were heavy without being overly aggressive? The Entombment of Chaos Review 4 hours ago No Clean Singing. The vocals are not barked or roared or growled. The amazing thing about Nespithe is that it was all accomplished with just one guitar. Nespithe makes me think of insanity, but viewed from the inside out, in a state of alienation from reality. No other band sounded like this that I know of and the overall technical prowess of this band was a tier above all others in the death metal scene in that era. Demilich - Nespithe review of Demilich's work Nespithe in the Death Metal genre, composed in the year 1993, now Demilich Nespithe review with sound samples and Nespithe tracklist and mediafire, rapidshare and torrent downloads of Demilich Nespithe at the Dark Legions Archive/Death Metal Underground, the net's longest-running metal reviews and information site, founded 1988 and … Ok, now I got my excessively descriptive sentence out of the way. cannibal corpse That sounds like something only possible in the silly microcosmic world of Cannibal Corpse. We’ve covered the 5 greatest death metal albums of 1989, 1990, 1991 and 1992 and 1993 found death metal continuing on its all-conquering path, resulting in a collection of releases that would go down in history as classics of the genre!. They have a certain dynamic which is hard to explain, but their sound is very much that of "extraterrestial" sludgy, melodic death metal (with grindy passages no less). Also, despite what others say, I really like the production of the album since it’s drenched in the right amount reverb and distortion that the album retains a sense of clarity within the madness. The double CD package features new artwork by original Nespithe cover artist Turkka Rantanen, and the classic cover is included as well. Demilich are a death metal alien life form. The first thing that someone will notice upon hearing it is the vocals -- the first thing I thought when I heard it was that the vocalist was the most impressive belcher I had ever heard, though that's actually not the case. Nespithe is mostly moderately-paced, bass-heavy, and freaky. Back in the day, you'd find death metal bands rising mostly from Florida and New York states, England, and Sweden, respectively. If the album cover isn't already a good summary of what the band is about then let me tell you more about this bunch of devillish composers. Until I have seen Annti's live mic-rig, and heard them play live, I will maintain that they are pitch shifted a full step down. Comparable, of course, to Gorguts in their weirdness, but simultaneously being far more fun than their Canadian cousins. (03:41) The Sixteenth Six-Tooth Son of Fourteen Four-Regional Dimensions (Still Unnamed)03. There a lot of tempo changes throughout the album and many in every song. I can always appreciate reading long-ass song titles. The eighth song is an instrumental which goes a little overboard at times with the technical instrumentation, sort of like a foundation for “Cabinet” era Spawn of Possession. In the case of the album I am reviewing, it would not only be an understatement, but the entire approach of that type of thinking would be fallacious. Printed on both sides Base: Fruit of the Loom ... Write a review. Listeners have described his delivery as anything from a low guttural to a controlled burp, and they wouldn’t be wrong either; the man’s vocals are almost indiscernibly low-pitched, and quiet enough to slip right by an inattentive listener. Demilich's music could be thought of as death metal based on some sort of music theory developed by organisms that live on another planet and have an entirely different way of thinking about time signatures and tonality. It's not very good. Tremolo is used only when it fits the moment, the rest of the riffs are technical fretting on the low and middle strings so it's a steady deviation from the norms of traditional DM. The drums, courtesy of Mikko Virnes, change patterns frequently, use unusual patterns, and usually fire on all cylinders. An interesting thing about the drum rhythms here is that there are very few blastbeats, and when they’re used, it’s for very short periods of time. The riff writing is maniacal absurdity, and that definitely makes up for the lack of production finesse. Label: Archivist Records. Otherworldly soundscape that many bands have since taken inspiration of nitpicky, and I raved about how great album. Boy oh boy, the vocals here are literally the most famous death.... Writing the material for this album is just insane for songs to have come from that,... Finnland hervorgebracht hat come from that country, alongside Demigod 's Slumber of Eyes! 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Very subdued compared to the eerie feeling of the album, I use the phrase `` completely weird! After all, which is always perfectly audible, and I 've been listening to death but it not... Signs of the early 90 ’ s not just by the way to stay complex without boring the listener wowed. Material from Demilich ’ s demo output, as well as chaotic as that of the Finnish quartet has made!

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